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HWV1A2N28 - Ob dein Mund wie Plutons Rachen
edward.maurath
5:23 Est. Play
Time
49 Measures
1,182Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 18 0 4 3 96%
Oboe
1		 Treble 16 0 3 6 95%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 18 0 4 3 96%
Oboe
1		 Treble 16 0 3 6 95%
Cembalo Continuo Treble 15 20 4 6 77%
Bass 20 2 4 3 89%
Oboe
2		 Treble 15 0 3 5 89%
Viola 15 0 0 3 80%
Violin
1		 Treble 19 0 1 6 80%
Violoncello Continuo Bass 15 0 1 3 80%
Violone Continuo Bass 15 0 1 3 80%
Violin
2		 Treble 18 0 2 5 77%
Tenor
as Fernando		 15 0 4 8 55%
 
Händel - Largo: "Ombra Mai Fu", for Flute and Cello
Hyeon Kim
2:36 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 59 3 8 100%
Bass 15 29 0 3 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 59 3 8 100%
Bass 15 29 0 3 98%
Cello Bass 17 0 2 8 98%
Flute Treble 13 0 2 8 58%
 
HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"
edward.maurath
0:16 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Harpsichord Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Violoncello Bass 5 0 1 2 100%
Flute Treble 7 0 0 3 75%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV5A2N11 - "Mà Rodrigo"
edward.maurath
0:52 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
Bass 18 17 4 3 88%
Violoncello (Continuo) Bass 9 0 2 3 88%
Cembalo (Continuo) Treble 3 0 0 1 31%
Bass 15 9 2 3 44%
 
HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)
edward.maurath
0:33 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
Violoncello Bass 4 0 0 3 100%
Alto 9 0 2 3 86%
 
Sarabande
Suurmestari
0:47 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 14 3 3 100%
Bass 12 1 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 14 3 3 100%
Bass 12 1 0 3 100%
 
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)
edward.maurath
0:33 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Evaneo 10 0 1 3 100%
Violoncello (Continuo) Bass 6 0 0 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Evaneo 10 0 1 3 100%
Violoncello (Continuo) Bass 6 0 0 3 100%
Cembalo (Continuo) Treble 10 13 2 4 92%
Bass 10 6 1 5 92%
 
Gavotte in C Major
Pringle Abilla
0:24 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 0 4 100%
Bass 11 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 0 4 100%
Bass 11 0 0 3 100%
 
HWV19A1N10 - Bertarido, "Bertarido fù Rè"
edward.maurath
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
Bass 14 3 2 3 53%
Viola 4 0 0 2 42%
Violoncello Continuo Bass 4 0 1 2 42%
Vln
1		 Treble 5 0 2 2 42%
Vln
2		 Treble 4 0 1 2 42%
 
HWV8A0N17 - Dai, quando vuoi, recitativo secco
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
Bass 3 0 1 1 67%
Harpsichord Treble 10 3 3 2 67%
Bass 2 0 0 1 33%
Apollo 5 0 1 3 67%
Erato 4 0 0 3 67%